ID de tableau:: 3649
St George and the Dragon St George et le Dragon 1606-07
Museo del Prado, Madrid 1606-07 Le musée du Prado, Madrid Flemish Baroque Era Painter, 1577-1640
ID de tableau:: 8700
St George and the Dragon St George et le Dragon 1487
Painted wood
Storkyrkan, Stockholm 1487 Storkyrkan de bois Peint, Stockholm German Sculptor, ca.1440-1509
ID de tableau:: 33375
St George and the Dragon St George et le Dragon mk86
c.1455
Tempera on canvas
57x74cm
London,National Gallery
mk86 c. 1455 Détrempe sur le canevas 57x74cm Londres, la Galerie Nationale Italian Early Renaissance Painter, 1397-1475
ID de tableau:: 33501
St George and the Dragon St George et le Dragon mk86
c.1550-1560
Oil on canvas
157x100cm
London,National Gallery
mk86 c.1550-1560 Pétrole sur le canevas 157x100cm Londres, la Galerie Nationale Italian Mannerist Painter, ca.1518-1594
ID de tableau:: 39712
St George and the dragon St George et le dragon mk150
c.1515
134.5x116cm
mk150 c. 1515 134.5x116cm German Northern Renaissance Painter, ca.1480-1542
ID de tableau:: 58199
St George and the Dragon St George and the Dragon, 1510, Alte Pinakothek, oil on parchment, 28 x 23 cm German
1480-1538
Albrecht Altdorfer Galleries
ID de tableau:: 62413
St George and the Dragon 1487 Painted wood Storkyrkan, Stockholm This sculptor and painter, whose presence at L?beck is documented from 1467 onwards, is the greatest medieval artist from the Hanseatic region. Notke is traditional in his feeling for complex composition, but a vigorous innovator in the individual qualities that he brings to the concentration of action and of figures. This terrifying confrontation of Heaven and Hell is his greatest achievement. One of the numerous works that he carved for Scandinavian towns, it was commissioned by the Swedish authorities for the national sanctuary to commemorate the victory over the Danes at Brukeberg on St. George's Day, 1471 German Sculptor, ca.1440-1509
ID de tableau:: 62816
St George and the Dragon 1811 Oil on wood, 28 x 21 cm Stedelsches Kunstinstitut, Frankfurt Pforr's short life was overshadowed by illness and depression and this is evident in this painting. The combatants are self-sufficient, in a way that is quite out of keeping with a struggle; only the large and penetrating eye of the horse takes up contact with the viewer. This is a fight without effort, as if the knight were dreaming his own experience in a lethargy remote from time German
1788-1812
